Sans Superellipse Esdit 2 is a bold, normal width, low contrast, italic, tall x-height font visually similar to 'Cybersport' by Anton Kokoshka, 'European Sans Pro' and 'European Soft Pro' by Bülent Yüksel, 'HD Colton' by HyperDeluxe, and 'Anantason Reno' and 'Karnchang' by Jipatype (names referenced only for comparison).
Keywords: headlines, posters, branding, sportswear, packaging, sporty, dynamic, modern, confident, energetic, impact, motion, modernity, clarity, oblique, geometric, rounded, compact, punchy.
A heavy, oblique sans with rounded, superelliptical construction and smooth, closed apertures. Strokes are broadly even with minimal modulation, and curves resolve into squared-off rounds that keep counters compact and sturdy. The lowercase shows a prominent x-height and tight inner space, while capitals are wide-shouldered and simple, emphasizing clean geometry over calligraphic nuance. Numerals follow the same robust, rounded-rectangle logic, reading clearly at display sizes with a consistent forward slant and firm baseline stance.
Best suited for headlines, posters, and short-form messaging where impact and speed are desired. It works well for branding and packaging that needs a modern, energetic voice, and it can fit sports or performance-oriented identities where a bold, rounded oblique look supports motion and confidence.
The overall tone is fast and assertive, with a forward lean that suggests motion and decisiveness. Its rounded geometry keeps the feel friendly and contemporary, while the dense weight and compact counters add seriousness and impact. The result reads as modern and performance-oriented rather than delicate or formal.
The design appears intended to deliver a contemporary, high-impact italicized sans voice with rounded geometric forms that stay sturdy and readable. It prioritizes strong silhouettes, consistent curvature, and a sense of forward momentum for attention-grabbing display typography.
The slant is consistent across cases and figures, and the letterforms favor smooth, uninterrupted silhouettes with few sharp terminals. Spacing appears tuned for strong word-shape in short phrases, with a slightly condensed, punchy rhythm that emphasizes solid black shapes and clean negative space.