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Sans Other Sywi 3 is a very light, wide, monoline, upright, normal x-height font.

Keywords: ui titles, headlines, posters, branding, game graphics, futuristic, tech, schematic, geometric, minimal, tech aesthetic, digital display, diagrammatic, modular system, angular, rectilinear, open counters, single-storey, high contrast spacing.


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A rectilinear, outline-driven sans built from straight strokes and crisp corners, with occasional clipped/diagonal joins that soften the most rigid turns. Forms are largely boxy and modular, with open apertures and simplified counters; curves are minimized in favor of squared geometry. Uppercase and lowercase share a consistent construction logic, and many glyphs read as linear frameworks rather than filled shapes, creating an airy texture at text sizes. Spacing appears generous and the rhythm is even, though widths vary by letter in a way that preserves recognizability while maintaining the gridlike feel.

Best suited to short-to-medium settings where its geometric construction can read clearly: interface titles, sci‑fi or tech branding, event posters, album/cover graphics, and motion or game UI overlays. It can work for brief text blocks when set with ample size and spacing, but its outline-like stroke economy favors display use over dense body copy.

The overall tone is futuristic and instrument-like, evoking technical diagrams, early digital displays, and sci‑fi interface lettering. Its light, skeletal build feels precise and cool rather than expressive, suggesting speed, systems, and structure.

The design appears intended to deliver a clean, constructed techno sans that reads like a plotted or wireframe alphabet. Its modular, straight-stroke system prioritizes a consistent futuristic voice and crisp silhouette over traditional typographic warmth.

Several characters use distinctive angled notches or chamfered corners (notably in diagonals and joints), reinforcing a constructed, engineered aesthetic. The lowercase is intentionally simplified (e.g., single-storey forms and straight terminals), which boosts stylistic cohesion but can make long passages feel more decorative than conventional.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸