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Free for Commercial Use

Cursive Ahdas 4 is a light, very narrow, high contrast, italic, very short x-height font.

Keywords: invitations, branding, packaging, quotes, social graphics, airy, elegant, whimsical, romantic, personal, handwritten charm, stylish display, personal tone, flowing rhythm, delicate contrast, monoline feel, tall ascenders, looping descenders, brushy, calligraphic.


Free for commercial use
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A slim, right-slanted handwritten script with tall ascenders, long looped descenders, and a lively, slightly irregular rhythm. Strokes show pronounced contrast with hairline joins and heavier downstrokes, producing a brush-pen look without rigid geometry. Letterforms are narrow and upright in proportion, with compact counters and frequent entry/exit strokes that encourage flowing connections in lowercase. Capitals are simplified and elongated, acting as vertical accents rather than broad, formal swashes, while numerals follow the same narrow, calligraphic logic with varied widths.

Well-suited for invitations, greeting cards, and wedding or event collateral where an elegant personal touch is desired. It also works for boutique branding, product packaging accents, and short quote graphics or social posts at display sizes. Use with generous spacing and avoid very small sizes to preserve the delicate joins and contrasts.

The font reads as intimate and expressive, balancing delicacy with a fashionable, boutique-like polish. Its tall loops and light touch create a playful, romantic tone, while the controlled contrast keeps it feeling intentional and neat rather than messy. Overall it suggests friendly sophistication—handwritten, but curated.

Likely designed to capture the look of quick, stylish brush handwriting—tall, narrow, and flowing—optimized for expressive display text rather than dense reading. The restrained capitals and consistent slant suggest an intention to remain legible while still feeling hand-drawn and characterful.

Lowercase forms appear most naturally connected in word settings, while some capitals and isolated glyphs feel more like stand-alone pen strokes with minimal crossbar emphasis. The dot on the i/j is small and clean, and many letters rely on slender joins, giving text a gently shimmering texture at larger sizes.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
19px
18px
17px
16px
15px
14px
13px
12px
11px
10px
9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸