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Outline Rylu 1 is a very light, normal width, low contrast, upright, normal x-height font.

Keywords: headlines, posters, book covers, packaging, invitations, classic, formal, bookish, delicate, heritage, display emphasis, classic revival, decorative outline, elegant titling, serif, outlined, bracketed, rounded, calligraphic.


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An outline serif with very thin contour strokes and a traditional, bracketed serif construction. The letterforms follow oldstyle proportions with gently rounded bowls, moderate stroke modulation implied by the shapes, and soft, slightly calligraphic transitions at joins. Counters are generous and the outlines keep an even, airy rhythm, while small interior notches and tapered terminals add crispness without feeling sharp. Figures and capitals sit with stable, book-like proportions, and the overall drawing favors smooth curves over geometric rigidity.

Best suited to large-size settings such as headlines, posters, book covers, and premium packaging where the outline construction can be appreciated. It can also work well for invitations and formal titling, especially when paired with a solid text face for supporting copy. Avoid long passages at small sizes where the thin contours may lose clarity.

The style reads as literary and classical, like a refined title face rendered as a line drawing. Its open outlines feel airy and elegant, giving a quiet sense of ceremony and nostalgia rather than loud display aggression. The delicate contour work suggests premium packaging or editorial sophistication.

The font appears designed to capture the authority of a classic serif while offering an illustrative, engraved-like outline treatment for display typography. Its goal seems to be adding elegance and distinction through negative space and contour rhythm rather than through heavy weight or high contrast.

Because the design is purely outlined, perceived weight depends strongly on background and size; at smaller sizes the hairline contours can visually break up, while at larger sizes the internal spacing and serif details become a prominent texture. The outlines create a strong fill/ground interaction, so it performs best when there is enough scale and contrast for the contours to stay continuous.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸