Sans Superellipse Enkam 8 is a regular weight, very wide, low contrast, italic, normal x-height font visually similar to 'Bantat' by Jipatype (names referenced only for comparison).
Keywords: headlines, branding, tech ui, sports graphics, packaging, futuristic, technical, sporty, clean, dynamic, speed cue, modern branding, technical clarity, sleek ui, rounded, oblique, extended, streamlined, squared.
A slanted, extended sans with softly squared curves and rounded-rectangle geometry throughout. Strokes are monolinear and clean, with open counters and broad, horizontal proportions that create a smooth, aerodynamic rhythm. Curves tend toward superelliptical arcs rather than perfect circles, and terminals are consistently softened, giving the forms a polished, engineered feel. The numerals and lowercase echo the same wide stance and rounded corners, maintaining a cohesive, modern texture in text.
Best suited to headlines, short blurbs, and prominent interface or product labeling where a sleek, modern impression is desired. Its extended proportions and oblique stance work well for tech branding, automotive or sports-inspired graphics, and contemporary packaging. For longer text, it can be effective when generous spacing and large sizes are used to preserve clarity.
The overall tone is contemporary and forward-leaning, with a distinctly technical and speed-oriented character. Its wide, oblique forms suggest motion and performance, while the rounded corners keep it friendly and approachable rather than aggressive. The result reads as modern, digital, and confidently utilitarian.
The font appears designed to communicate modernity and motion through extended width, a consistent oblique angle, and rounded-rectangle construction. The intent seems to balance a technical, engineered voice with approachable softness by keeping contrast low and corners smoothly radiused. Overall, it aims for a streamlined, future-facing sans that remains legible and visually controlled.
The wide set and italic slant produce strong directional emphasis, especially in all-caps lines. Rounded corners and squared-off curves stay consistent across letters and figures, helping longer passages hold a uniform, sleek color. The design’s geometry is especially apparent in letters with bowls and arcs, which feel constructed from softened rectangles rather than purely humanist curves.