Sans Superellipse Ofdib 7 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Plasma' by Corradine Fonts, 'Siro' by Dharma Type, 'Bega' by Indian Type Foundry, and 'Obvia' by Typefolio (names referenced only for comparison).
Keywords: headlines, branding, posters, packaging, signage, friendly, playful, modern, techy, chunky, impact, approachability, geometric consistency, brand voice, display legibility, rounded, soft-cornered, geometric, compact, monoline.
A heavy, rounded sans with a soft-rectangular (superellipse) construction throughout. Strokes are monoline and dense, with broad counters and generously rounded corners that keep the texture smooth despite the weight. Terminals are blunt and softened, curves transition into straighter segments in a controlled, geometric way, and spacing feels compact but readable at display sizes. Numerals and capitals share the same blocky, rounded-rectangle logic, producing a consistent, sturdy rhythm across lines.
Best suited for headlines, logos, packaging, and short-form UI or signage where strong presence and quick recognition matter. It works especially well in modern brand systems that want warmth and clarity without turning decorative, and it can carry large blocks of display text with a steady, even color.
The overall tone is upbeat and approachable, with a contemporary, slightly tech-oriented feel. Its chunky silhouettes and softened corners read as friendly rather than aggressive, making it suitable for bold, attention-forward messaging.
The design appears intended to merge geometric, rounded-rectangle forms with high-impact weight, creating a cohesive display sans that feels contemporary and approachable. Consistent corner rounding and simplified constructions suggest a focus on bold legibility and a distinctive, branded silhouette.
Distinctive details include squared-off interior shaping in letters like B, D, and P, and a tight, engineered geometry that avoids calligraphic influence. The lowercase maintains a simple, robust structure, and the dot on i/j appears as a rounded square, reinforcing the font’s rectilinear softness.