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Free for Commercial Use

Serif Flared Girod 8 is a bold, normal width, medium contrast, italic, normal x-height font visually similar to 'AG Royal' and 'Akzidenz-Grotesk W1G' by Berthold, 'Equip' and 'Urania' by Hoftype, 'Monto Grotesk' by Lucas Tillian, 'Identidad' by Punchform, and 'Scatio' by Wahyu and Sani Co. (names referenced only for comparison).

Keywords: editorial, headlines, book covers, magazine design, branding, classic, elegant, warm, confident, expressive italic, editorial authority, classic refinement, high-impact display, flared terminals, bracketed serifs, calligraphic, dynamic rhythm, wedged serifs.


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This typeface is a slanted serif with sturdy, tapered strokes and subtly flared terminals that give the forms a carved, calligraphic feel. Serifs are wedge-like and often bracketed, with stroke endings that broaden into crisp points rather than flat slabs. The italic construction is assertive and continuous, showing lively curvature in rounds (C, O, e) and energetic diagonals (K, V, W, X). Lowercase features a single-storey a and g, a compact e with a strong diagonal stress, and a long, slightly curved f; overall spacing reads even while letter widths vary naturally for a typographic, text-forward color.

It performs well in editorial settings where an italic voice is used prominently—feature headlines, pull quotes, and standfirsts—while remaining suitable for short-to-medium passages in books or magazines. The confident weight and crisp flared finishing also make it a strong choice for cover typography, cultural branding, and sophisticated packaging where a classic serif tone is desired.

The tone is traditional and literary, with a refined but muscular presence suited to established publications. Its slant and flared details add warmth and motion, giving it a persuasive, slightly dramatic voice rather than a quiet, bookish one.

The design appears intended to merge traditional serif structure with a more calligraphic, flared finishing to create an italic that feels both authoritative and expressive. The goal seems to be a readable, publication-friendly texture that can also scale up to impactful display use without losing its refined detailing.

Capitals feel robust and display-capable, with strong internal counters and high-impact silhouettes, while the lowercase keeps a coherent flow for continuous reading. Numerals are clear and weighty, matching the text color and maintaining the same tapered, flared finishing behavior across curves and diagonals.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸