Sans Other Emgo 11 is a very bold, very wide, medium contrast, italic, normal x-height font visually similar to 'MyCRFT' by DM Founts (names referenced only for comparison).
Keywords: headlines, posters, sports branding, game ui, logos, aggressive, futuristic, racing, industrial, tactical, speed emphasis, impact display, tech aesthetic, branding edge, industrial tone, slanted, angular, blocky, compact counters, notched cuts.
A heavy, slanted sans with sharply angular construction and pronounced diagonal terminals. The forms are built from chunky, block-like strokes with frequent notch cut-ins and wedge-shaped corners that create a fast, mechanical rhythm. Counters are compact and often rectangular, and several characters use internal slits or breaks (notably in letters like S and the diagonal-heavy W), reinforcing a stenciled, engineered feel. Numerals and capitals maintain a consistent forward lean and tight apertures, prioritizing impact over openness at smaller sizes.
Best suited to short, emphatic settings such as headlines, posters, esports or motorsport branding, game titles, and interface labels where a fast, technical voice is desired. It can also work for logos and wordmarks that benefit from angular, cut-metal styling, while longer passages may feel visually intense due to the dense counters and aggressive detailing.
The overall tone is high-energy and combative, reading like motorsport branding, sci‑fi interface lettering, or action-title typography. Its sharp cuts and forward momentum convey speed and force, with a slightly militaristic, industrial edge.
The font appears designed to project speed and strength through forward-leaning geometry, sharp terminals, and engineered cutouts. Its construction suggests an intention to stand out in display contexts with a futuristic, industrial aesthetic rather than serve as a neutral text face.
The design relies on distinctive cutaways and asymmetric detailing to differentiate glyphs, producing strong personality but also making similar shapes (such as I/l/1 and some rounded letters with tight counters) feel more stylized than neutral. Spacing appears tuned for headline setting, with dense internal shapes that visually darken text blocks.