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Free for Commercial Use

Sans Superellipse Pymol 12 is a bold, very narrow, low contrast, upright, normal x-height font visually similar to 'Mosquich' by FallenGraphic, 'Hillstown' by Letterhend, 'Gemsbuck Pro' by Studio Fat Cat, 'Agharti' by That That Creative, and 'Libel Suit' by Typodermic (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, branding, condensed, industrial, poster-ready, assertive, modern, space-saving, display impact, geometric identity, modern utility, geometric, rounded, tall, compact, utilitarian.


Free for commercial use
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A tall, tightly proportioned sans with compact counters and a distinctly rounded-rectangle construction. Curves are smooth and controlled, with straight-sided bowls and softly radiused corners that create a superellipse feel in letters like O, C, and G. Terminals are clean and mostly square-cut, and the overall rhythm is consistent and vertical, with short crossbars and compressed apertures that keep the texture dense. Numerals follow the same condensed, geometric logic, maintaining even color and crisp silhouettes at display sizes.

Well suited to headlines, subheads, posters, and signage where a tall condensed footprint helps maximize characters per line. It can also support branding and packaging that benefits from a modern industrial tone and a compact, high-impact wordshape, especially in short phrases and labels.

The tone is direct and functional, with an industrial, engineered confidence. Its compact width and sturdy shapes read as efficient and contemporary, leaning toward a no-nonsense, urban voice that works well when space is limited but impact is required.

Likely designed to deliver a space-saving condensed sans with a distinctive superellipse geometry, balancing modernity and legibility for display-driven typography. The consistent, rounded-rectangle forms suggest an intent to create a recognizable, structured voice that stays clean and practical in use.

The font’s rounded-rectangle geometry gives it a distinctive identity without resorting to ornament, and the condensed proportions produce a strong columnar cadence in text. The overall texture is solid and uniform, favoring headline clarity and strong sign-like recognition.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸