Inline Fihy 7 is a regular weight, very wide, low contrast, upright, normal x-height font.
Keywords: headlines, posters, logotypes, branding, packaging, futuristic, tech, retro, sleek, display, sci-fi styling, technical feel, decorative inline, display impact, rounded, monolinear, geometric, outlined, stencil-like.
A geometric, rounded sans with broad proportions and monoline construction, defined by a continuous inner line that runs through the strokes to create a double-stroked, hollowed effect. Curves are smooth and consistent, corners are softly squared, and terminals tend to be flat and clean. Counters are generous, bowls are near-circular, and diagonals keep a steady angle, giving the alphabet an engineered, modular rhythm. The inline treatment stays even across caps, lowercase, and numerals, producing a crisp, graphic silhouette that reads best at medium-to-large sizes.
This style suits display typography where the inline geometry can be appreciated: headlines, posters, album or event graphics, and brand marks aiming for a tech or retro-future signal. It can also work for packaging, signage, and UI/industrial labeling at larger sizes, where the structured outlines remain clear.
The overall tone feels futuristic and instrument-panel clean, with a distinct retro sci‑fi flavor. The inline detailing adds a sense of speed and precision, suggesting circuitry, neon tubing, or automotive striping rather than a traditional text voice.
The design appears intended to merge a clean geometric sans foundation with an inline, hollowed construction that adds visual complexity without introducing contrast. The goal seems to be a distinctive, modern display face that evokes engineered surfaces and retro-futuristic styling while staying systematic and consistent across the character set.
Spacing appears open and the wide set amplifies the horizontal flow, especially in rounded letters and numerals. The inline channel and outline thickness are visually balanced, but the decorative interior line can soften small-size legibility on dense text, where the doubled contours become more prominent than the letterforms themselves.