Sans Superellipse Egfy 11 is a very bold, very narrow, low contrast, italic, tall x-height font visually similar to 'Choxr' by Almarkha Type, 'Superline' by Kavoon, 'Ikigai' by Monotype, 'Headliner TC' by Tom Chalky, and 'TT Bluescreens' by TypeType (names referenced only for comparison).
Keywords: sports branding, posters, headlines, packaging, signage, sporty, urgent, industrial, retro, assertive, space saving, speed emphasis, high impact, streamlined forms, bold display, condensed, slanted, oblique, compressed.
A tightly condensed, strongly slanted sans with heavy, even stroke weight and compact internal counters. Curves are built from rounded, squared-off forms, giving bowls and terminals a superelliptical, streamlined feel rather than purely circular geometry. The rhythm is vertical and fast, with tall lowercase proportions, short ascenders/descenders, and narrow apertures that keep word shapes dense. Numerals and capitals follow the same compressed, forward-leaning construction for a consistent, high-impact texture in lines of text.
Best suited to display settings where compact width and strong emphasis are useful—headlines, posters, sports or event branding, packaging callouts, and short-form signage. It can also work for subheads or labels where a condensed, forward-leaning style helps convey motion and intensity.
The overall tone is energetic and forceful, with a sense of speed created by the steep slant and compressed proportions. Its squared-rounded curves and bold presence suggest athletic branding, industrial signage, and punchy display applications. The voice reads as modern with a retro-styled, poster-like urgency.
The design appears intended to deliver maximum impact in minimal horizontal space while projecting speed and decisiveness. Its rounded-rectilinear curves and uniform weight aim for a clean, contemporary silhouette that stays consistent across uppercase, lowercase, and figures.
In longer lines, the dense spacing and narrow counters create a dark, continuous typographic color, especially at smaller sizes. The rounded-rectangle construction is particularly noticeable in ovals and bowls, which read more like aerodynamic capsules than traditional rounds, reinforcing the streamlined theme.