Outline Lyho 2 is a bold, very wide, monoline, upright, normal x-height font.
Keywords: headlines, logos, posters, packaging, sports branding, retro, techy, futuristic, sporty, playful, visual impact, retro tech, brand signature, display clarity, geometric, rounded corners, double-line, inline, high contrast (negative).
A wide, geometric outline design with a consistent double-line construction: a thick outer contour paired with an inset inner contour that creates a hollow, inline channel. Strokes maintain an even rhythm with rounded corners and softened joins, giving the forms a smooth, tubular feel despite the sharp-ish geometry. Counters are generous and mostly rectangular-to-rounded in character, while diagonals (A, K, V, W, X, Y, Z) are clean and stable. The overall spacing and proportions read expanded, with simple, sturdy silhouettes that remain clear in both uppercase and lowercase.
Best suited to display settings where the outline-and-inline detailing can be appreciated: headlines, posters, branding marks, product packaging, and bold UI callouts. It can work for short bursts of text in thematic contexts (tech, retro, gaming, sports), but the interior channeling can become visually busy at very small sizes or in long passages.
The font projects a retro-futuristic, arcade/industrial tone—confident and energetic, with a slightly playful, engineered look. The outlined, inset detailing suggests motion, circuitry, or neon tubing, making it feel both technical and stylized rather than neutral or literary.
The design appears intended to deliver maximum presence with a distinctive hollow/inline signature, combining geometric construction and rounded engineering to evoke a modern-retro, tech-forward aesthetic. Its expanded proportions and simplified silhouettes prioritize impact and recognizability in branding and titling.
The inner contour closely tracks the outer contour throughout, producing a strong “inline outline” effect that becomes a key texture in continuous text. Round forms (O, Q, 0, 8, 9) lean toward squarish rounds with softened corners, and terminals tend to finish bluntly with consistent rounding. Numerals follow the same construction and feel display-oriented, especially where the hollow channel becomes a prominent interior shape.