Font Hero

Endless Fonts
Free for Commercial Use
Download Now

Sans Superellipse Hibid 3 is a very bold, normal width, low contrast, upright, tall x-height font visually similar to 'Bunday Sans' by Buntype, 'CamingoDos Condensed' by Jan Fromm, 'JAF Bernini Sans' by Just Another Foundry, 'Core Sans N SC' by S-Core, and 'Amsi Pro' by Stawix (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, sports branding, confident, industrial, sporty, punchy, utilitarian, impact, clarity, modernization, branding, blocky, compact, squared, rounded, sturdy.


Free for commercial use
Customize the font name

A heavy, block-constructed sans with rounded-rectangle geometry throughout. Curves resolve into broad, squarish bowls and counters, and terminals are mostly flat with softened corners, giving forms a superelliptical, almost “squared-round” feel. Strokes are consistently thick with minimal modulation, and spacing feels compact and efficient, keeping words dense and dark on the line. Lowercase forms are tall and robust, with short extenders and simple, closed shapes; numerals follow the same sturdy, rounded-rect silhouette for a uniform texture.

Best suited for headlines and short, high-impact text where a compact, assertive voice is needed. It works well for posters, packaging, signage, and branding systems that benefit from sturdy shapes and consistent, rounded-rect styling, especially at medium-to-large sizes.

The overall tone is bold and straightforward, projecting strength and practicality rather than refinement. Its squared rounding and dense rhythm evoke industrial labeling and athletic branding—friendly enough to feel modern, but forceful in presence.

The font appears designed to deliver maximum impact with simple, repeatable geometry—favoring solid silhouettes, compact spacing, and rounded-rectangle forms for a contemporary, industrial-leaning display voice.

The design leans on large interior openings where possible (notably in C, G, S, and e) to preserve clarity at display sizes, while the thick joins and compact counters create strong silhouette recognition. The punctuation and dots read as solid, squared forms that match the type’s blocky logic.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸