Sans Other Sege 9 is a regular weight, very narrow, monoline, upright, normal x-height font.
Keywords: headlines, posters, signage, packaging, logotypes, art deco, industrial, retro, architectural, mechanical, compact impact, deco revival, signage utility, geometric rigor, distinct identity, condensed, angular, geometric, linear, squared forms.
A tightly condensed, monoline sans with a crisp, rectilinear construction and squared curves. Strokes maintain a uniform thickness, while terminals are typically flat and sharply cut, creating a precise, engineered rhythm. Counters are narrow and often rectangular, with rounded forms (like O, C, G) rendered as squarish bowls with clipped corners. Several capitals introduce distinctive inline-style splits and notches (notably in A, B, R), reinforcing a modular, built-from-straights feel; the lowercase follows the same narrow, vertical emphasis with minimal curvature and clear, open apertures.
Best suited to display settings where narrow width and high vertical emphasis help fit long titles into tight spaces—posters, cover lines, signage, packaging, and brand wordmarks. It can also work for UI labels or wayfinding where a condensed, architectural look is desired, but its stylization is most effective at larger sizes.
The overall tone reads as vintage-modern: cool, technical, and display-oriented with strong Art Deco and industrial signage associations. Its strict geometry and compressed proportions evoke speed, machinery, and early 20th‑century poster lettering, while the consistent line weight keeps it clean and contemporary.
The font appears designed to deliver a compact, high-impact voice with a distinctly geometric, Deco-leaning silhouette. Its consistent monoline strokes and squared curves suggest an intention to feel engineered and orderly, providing a strong visual identity for titles and branding rather than neutral text setting.
Capitals are especially tall and columnar, and the numerals match the same compressed, angular language for cohesive titling. The design leans on straight segments and right angles, so round letters appear squared-off rather than fully circular, which increases the sense of structure and uniformity.