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Free for Commercial Use

Inline Okso 2 is a regular weight, narrow, very high contrast, upright, short x-height font.

Keywords: headlines, posters, logotypes, packaging, event titles, art deco, vintage, theatrical, elegant, whimsical, display impact, period styling, ornamentation, engraved look, inline detail, decorative serif, condensed, display, high contrast.


Free for commercial use
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A condensed decorative serif with sharp, high-contrast construction and a consistent inline cut that runs through many strokes, creating a hollowed, engraved effect. Stems are tall and narrow with crisp terminals, while bowls and rounds stay relatively tight, giving the alphabet a vertical, poster-like stance. The design mixes rigid geometry with occasional soft curves and tapered joins, producing a rhythmic alternation between solid black masses and fine internal white channels. Numerals and capitals read especially structured and architectural, while lowercase maintains a compact, short-bodied feel with distinctive, stylized shapes.

Best used for display typography such as headlines, poster titles, brand marks, and packaging where the inline detailing can be appreciated. It also works well for themed pieces—menus, invitations, and event graphics—especially when a vintage or Deco-leaning mood is desired. For longer passages, larger point sizes and generous tracking help preserve the interior linework and maintain legibility.

The inline carving and tall proportions evoke an Art Deco and early-20th-century display sensibility—glamorous, theatrical, and slightly playful. It feels suited to settings where ornament and period flavor are desirable, projecting elegance with a hint of eccentric charm rather than neutrality.

The font appears designed to reinterpret a condensed, high-contrast serif through an inline, engraved treatment that adds depth and ornament without additional color. Its goal is visual impact and period character—delivering a refined, decorative voice optimized for titles and identity-led typography.

The internal inline creates a strong sparkle at larger sizes but can visually thin counters and narrow joins at small sizes, so spacing and size choice will strongly influence clarity. The glyphs appear intentionally stylized rather than purely classical, with a display-first personality and notable individuality across letters.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸