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Serif Other Arda 5 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Grupi Sans' by Dikas Studio (names referenced only for comparison).

Keywords: posters, headlines, packaging, children’s media, brand marks, playful, folksy, retro, whimsical, friendly, expressive display, retro flavor, friendly tone, high impact, handcrafted feel, rounded, bulbous, soft terminals, bouncy, chubby serifs.


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A heavy, rounded serif with generous curves, swollen stroke endings, and soft, bracket-like serifs that read more like sculpted blobs than sharp wedges. The letterforms are upright with a lively, slightly bouncy rhythm created by uneven-looking internal counters and curved joins, giving the texture a hand-cut or rubber-stamp feel. Uppercase shapes are compact and sturdy (notably the wide bowls in B, D, O, and Q), while the lowercase shows distinctly chunky, clubbed terminals and simplified, rounded structures that stay legible at display sizes. Numerals follow the same softened, weighty construction with rounded corners and prominent terminals, reinforcing the cohesive, poster-friendly color on the page.

Well-suited for display typography such as posters, event titles, packaging labels, and playful branding where a friendly, vintage-leaning voice is desired. It can also work for short editorial headers or pull quotes, but is less appropriate for long passages of body text due to its bold mass and decorative serif shaping.

The overall tone is warm and humorous, with a retro, storybook charm that feels inviting rather than formal. Its soft, puffed serifs and rounded detailing lend a nostalgic, handcrafted character that can read as quirky, cozy, and slightly theatrical.

Likely designed to deliver a bold, characterful serif with softened geometry—prioritizing charm, approachability, and a memorable silhouette over strict classicism. The consistent rounded terminals and chunky serifs suggest an intention to evoke retro display lettering and handcrafted sign-like typography in a sturdy, high-impact form.

The dense weight and curvy detailing create strong presence but can tighten spacing and reduce clarity at small sizes, especially in text-heavy settings. It performs best when given breathing room and used where its distinctive silhouette can carry the message.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸