Font Hero

Free for Commercial Use

Wacky Ophu 6 is a very bold, very wide, medium contrast, italic, tall x-height font visually similar to 'Andest' by Creatifont Studio; 'Lapoya' by Cuchi, qué tipo; '1312 Sugoi' by Ezequiel Filoni; and 'Heading Now' by Zetafonts (names referenced only for comparison).

Keywords: posters, headlines, logos, packaging, event flyers, playful, retro, punchy, cartoony, rowdy, attention-grabbing, humor, retro display, decorative impact, custom feel, slab-serif, wedge-cut, blocky, rounded, compact counters.


Free for commercial use
Customize the font name

A heavy, right-leaning display face with chunky slab-like forms and rounded, swollen bowls. Strokes stay broadly consistent while corners are softened and repeatedly “nicked” with small wedge cuts, creating a chiseled, irregular edge rhythm. Counters are compact and apertures tend to be tight, which boosts the solid, poster-like silhouette. The overall build feels wide and muscular, with bouncy spacing and uneven detail that reads as intentionally roughened rather than geometric.

Best suited for short, high-impact text such as posters, headlines, logos, and bold packaging callouts where its quirky cuts and heavy silhouettes can be appreciated. It can also work for playful titles in games, entertainment, or novelty branding, but is less ideal for long reading passages due to its density and tight interior spaces.

The tone is loud and mischievous—part retro cartoon, part hot-rod/poster energy. Its exaggerated weight and quirky cut-ins add a handmade, slightly chaotic swagger that feels energetic and humorous rather than refined.

The design appears aimed at maximum attention and character: a thick, slanted display style with deliberate edge quirks that signal fun and informality. The consistent chiseled/notched motif suggests it was built to look custom and one-off, delivering a distinctive headline voice.

The wedge notches and slab terminals create a consistent motif across caps, lowercase, and figures, giving the set a cohesive “carved” texture. At smaller sizes the tight counters and dense forms can fill in, but at display sizes the irregularities become the main personality feature.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸