Script Furan 3 is a very bold, normal width, medium contrast, italic, short x-height font.
Keywords: logos, packaging, posters, headlines, signage, retro, friendly, playful, confident, crafty, hand-lettered look, display impact, vintage flavor, brand warmth, brushy, rounded, swashy, bouncy, high-contrast joins.
A heavy, brush-like script with a consistent rightward slant and rounded, swelling terminals. Strokes show a calligraphic feel with tapered entries and exits, plus occasional teardrop-like finishes that create a lively rhythm. Letterforms are compact and looped, with prominent swashes on capitals and descenders that add movement without becoming overly ornate. Overall spacing is moderately tight and the outlines read smooth and cohesive, giving the face a strong, inked silhouette in text.
Best suited to logos, product packaging, café or boutique branding, posters, and punchy headlines where its bold script character can carry the message. It also works well for invitations or promotional graphics that want a handcrafted, vintage-leaning feel, especially when set with generous line spacing and minimal letterspacing adjustments.
The tone is upbeat and nostalgic, evoking mid-century signage and hand-lettered packaging. Its bold presence feels friendly and a bit cheeky, with enough flourish to suggest personality and charm rather than formality. The energetic curves and thick strokes project confidence and warmth.
The design appears intended to emulate confident brush lettering with a polished, repeatable rhythm for display typography. Its pronounced slant, rounded terminals, and swashy capitals aim to deliver instant personality and a classic hand-painted sign vibe while staying legible in short phrases.
Capitals are especially decorative, with curled entry strokes and sculpted counters that stand out in display settings. Lowercase forms maintain a steady cursive cadence, and numerals are rounded and stylistically consistent with the script, leaning and swelling like the letters. At smaller sizes the heavy joins and tight apertures can visually fill in, so the design favors headline and short-line use.