Sans Superellipse Ryreg 5 is a very bold, normal width, medium contrast, italic, tall x-height font visually similar to 'Imago W1G' by Berthold and 'Cynosure' by Device (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, app headers, sporty, energetic, assertive, contemporary, loud, impact, motion, approachability, modernity, slanted, rounded corners, compact bowls, smooth curves, bouncy rhythm.
A heavy, right-slanted sans with rounded-rectangle construction and softened corners throughout. Curves are full and smooth, while joins and terminals tend to resolve into subtly squared, superelliptical ends rather than sharp cuts. Counters are relatively tight in letters like B, R, P, and a, creating a dense, punchy texture; the lowercase shows a single-storey a and g, with robust shoulders and short, sturdy apertures. Figures are similarly compact and weighty, with the 0 reading as an oval and the 9 featuring a prominent bowl and short tail. Overall spacing feels even and headline-oriented, with a forward-leaning stance and strong, consistent stroke presence.
Best suited to headlines, posters, and prominent UI or campaign moments where a bold, forward-moving voice is needed. It can work well for sports and fitness branding, product packaging, and attention-grabbing editorial callouts, especially when set with generous tracking or ample line spacing.
The font projects speed and impact, combining a sporty, action-forward slant with friendly rounded forms. Its tone is confident and promotional—more “performance” than “delicate”—and it reads as modern and high-energy in short bursts.
Likely drawn to deliver an energetic italic display sans that feels both powerful and approachable, using rounded-rectangle anatomy to keep the weight friendly while maintaining strong impact and momentum.
The diagonal stress and rounded-square geometry give the face a cohesive, engineered feel, while the tight counters and broad strokes push it toward display use. At larger sizes the superelliptical terminals and rounded corners become key character cues; in longer text blocks the dense color can feel intense.