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Free for Commercial Use

Wacky Hame 7 is a regular weight, narrow, high contrast, italic, normal x-height font.

Keywords: posters, headlines, title cards, album covers, event promos, playful, eccentric, retro, surreal, theatrical, attention grabbing, decorative flair, optical motion, retro display, quirky branding, cutout, ribbonlike, warped, swashy, calligraphic.


Free for commercial use
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A slanted display face with crisp, high-contrast strokes and frequent blade-like terminals. Many letters appear as if they’ve been cut from a single ribbon: thick black forms are interrupted by smooth internal voids and wavy notches that create a carved, liquid rhythm through stems and bowls. Curves are elongated and narrow, with occasional swash-like entry/exit strokes, giving the alphabet an animated, slightly unstable silhouette. Counters are often asymmetric and pinched, and the overall texture alternates between solid weight and airy cut-ins, producing a lively, flickering color on the page.

Best used at display sizes where the carved interiors and wavy contouring remain legible. It works well for posters, punchy headlines, title treatments, packaging accents, and branding moments that benefit from a distinctive, quirky voice. For longer passages, it’s most effective in short bursts or as a stylistic highlight paired with a quieter text face.

The font reads as mischievous and theatrical—part vintage showcard, part optical illusion. Its warped cutouts and sinuous motion give it a humorous, off-kilter personality that feels more performative than formal, with a quirky retro energy suited to attention-grabbing statements.

The design appears intended to reinterpret an italic serif structure through a playful cutout system, turning familiar letterforms into sculptural shapes with animated negative space. The goal seems to be memorability and visual motion—creating a one-off, decorative texture that stands out immediately in headings and wordmarks.

The inner cutouts and irregular inktrap-like scoops are a defining motif across both capitals and lowercase, making the design feel cohesive despite its oddities. Numerals share the same sculpted, hollowed treatment, reinforcing the decorative system. In longer lines the strong slant and alternating black/white interior shapes create pronounced movement, so spacing and line length will noticeably affect the perceived texture.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸