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Free for Commercial Use

Sans Superellipse Pilif 8 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Goldana' by Seventh Imperium and 'Godiva' by Suby Studio (names referenced only for comparison).

Keywords: headlines, posters, signage, packaging, branding, industrial, modern, condensed, utilitarian, assertive, space saving, impactful display, geometric cohesion, industrial tone, systematic forms, rounded corners, square-oval forms, compact, sturdy, high contrast (mass).


Free for commercial use
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A compact sans built from squared-off, superelliptical curves and straight stems, with a consistent, heavy stroke presence throughout. Corners are broadly rounded rather than sharp, and curves tend to resolve into rounded-rectangle bowls (notably in C/O/Q and the numerals), giving the face a machined, modular feel. Counters are relatively tight and apertures are modest, which boosts density and poster impact. Proportions run tall and tight with minimal flourish, while terminals and joins stay clean and uniform for a steady rhythm in text.

This font performs best where bold, space-saving letterforms are needed: headlines, posters, wayfinding, labels, and packaging that benefit from a dense, high-impact voice. It can also work for short UI labels or dashboards when a compact, industrial tone is desired, though its tight counters suggest using comfortable sizes and spacing for longer reading.

The overall tone is confident and workmanlike, pairing contemporary simplicity with a slightly retro, sign-painter/industrial label character. Its rounded-square geometry reads technical and controlled, making it feel purposeful rather than friendly or delicate.

The design appears intended to deliver maximum presence in limited horizontal space by combining condensed proportions with rounded-rectangular geometry. The consistent construction and restrained detailing suggest an emphasis on clarity, repeatable shapes, and a cohesive industrial aesthetic across letters and numerals.

Uppercase forms are especially space-efficient and blocky, while lowercase maintains the same geometric logic with straightforward construction and minimal calligraphic contrast. Figures follow the same rounded-rectangular motif, producing a cohesive texture across alphanumerics.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸