Sans Superellipse Edman 6 is a light, normal width, low contrast, italic, normal x-height, monospaced font visually similar to 'OCR-A AI' by Apply Interactive and 'OCR-A EF' and 'OCR-A EF Pro' by Elsner+Flake (names referenced only for comparison).
Keywords: coding, ui labels, dashboards, terminals, captions, informal, playful, techy, retro, soften mono, modernize, improve friendliness, maintain alignment, rounded corners, superelliptic, soft terminals, mono rhythm, hand-drawn feel.
A slanted monospaced sans with rounded-rectangle construction and softened corners throughout. Strokes keep an even, low-contrast weight, with subtly bulging curves that make bowls and counters feel superelliptic rather than purely circular. Terminals are blunt and gently rounded, and joins stay smooth and open, giving letters an airy, uncluttered texture. The overall rhythm is steady and grid-friendly, while the italic angle and rounded geometry add motion and friendliness to the line.
Well suited to coding and terminal-style settings where monospaced alignment matters, as well as UI labels, tables, and compact interface typography. Its soft corners and mild slant also work nicely for friendly product dashboards, instructional text, and short captions where a technical-but-warm voice is desired.
The font reads as approachable and slightly quirky—like a technical tool with a human touch. Its rounded, superelliptic shapes and consistent spacing create a calm, modern tone, while the slant adds energy and an informal, note-taking feel. The result is friendly and legible without looking corporate or rigid.
The design appears intended to blend monospaced utility with a softer, more contemporary superellipse aesthetic. By pairing a consistent character width with rounded geometry and an italic posture, it aims to stay functional for structured layouts while feeling more personable and modern than a strictly mechanical mono.
Round forms such as O/o and 0 lean toward squarish ovals with generous corner rounding, reinforcing a superellipse theme. Many letters show simplified, single-storey constructions (notably a and g), and the numerals follow the same rounded-rectilinear logic for a cohesive alphanumeric set.