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Free for Commercial Use

Sans Normal Ormov 12 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Akzidenz-Grotesk Next' by Berthold, 'Hanley Pro' by District 62 Studio, 'Penny Lane' by K-Type, 'Signal' by URW Type Foundry, 'Basaro' by Viaction Type.Co, and 'Aksioma' by Zafara Studios (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, friendly, playful, confident, casual, approachable, impact, approachability, display, modernity, clarity, rounded, compact, chunky, soft, sturdy.


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A heavy, rounded sans with compact proportions and smooth, low-friction curves. Strokes are uniformly thick with minimal modulation, producing solid color and strong presence in text. Counters are relatively tight and terminals are blunt or softly squared, giving letters a chunky, sturdy silhouette. The lowercase uses single-storey forms (notably a and g), a short-armed r, and a simple t, reinforcing an informal, contemporary rhythm. Numerals are bold and rounded, with a distinctive open-top 4 and a simple, footed 1 that read clearly at display sizes.

Best suited for headlines, packaging, branding, and signage where a bold, friendly impact is desired. It also works well for short UI labels or callouts when you want a warm, approachable voice, but it is most effective in display contexts rather than long-form reading.

The overall tone is friendly and upbeat, with a slightly quirky, informal character driven by the rounded geometry and dense, confident weight. It feels approachable and modern rather than technical, lending a conversational voice to headlines and short copy.

The design appears intended to deliver maximum visual impact with a soft, approachable feel—combining dense weight with rounded construction to stay friendly rather than aggressive. Its simplified lowercase shapes and compact rhythm suggest a focus on contemporary display typography for brands and attention-grabbing messaging.

At smaller sizes the dense weight and tight counters may reduce interior clarity, while at larger sizes the smooth curves and compact spacing create a punchy, cohesive texture. The round forms (C, O, S) and the sturdy joins in letters like M and N contribute to a strong, poster-ready footprint.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸