Outline Omdi 7 is a very light, very wide, low contrast, upright, tall x-height font.
Keywords: headlines, posters, logos, packaging, signage, playful, retro, sporty, loud, comic, attention grabbing, friendly display, retro impact, graphic layering, rounded, outlined, blocky, open counters, geometric.
A bold-feeling outline display face built from a single, consistent contour stroke. Forms are wide and generously spaced with rounded corners and softened joins, mixing straight segments with broad curves for a chunky, geometric silhouette. Counters are large and open, and the lowercase shows a tall x-height with simple, sturdy constructions; terminals are mostly blunt, with occasional angled cuts in letters like V/W/X/Y/Z that reinforce a blocky rhythm. Numerals follow the same roomy, rounded-outline construction, keeping the set visually uniform.
Best suited to large-size display settings such as headlines, posters, event graphics, branding marks, packaging, and signage where the outline can stay crisp and the open counters remain clear. It can also work for short, high-impact phrases or layered treatments (e.g., over color or imagery) where an outlined letterform helps maintain separation from the background.
The outlined construction and wide proportions give the font a playful, attention-seeking tone with a lighthearted retro flavor. It reads as sporty and energetic—more poster and headline than quiet editorial—especially when set large where the open interiors and rounded corners feel friendly and buoyant.
The font appears designed to deliver high-impact, friendly display typography using an outline-only build that stays legible at size and invites color, texture, or fill effects behind the letterforms. Its wide, rounded geometry suggests an emphasis on approachability and bold presence rather than fine detail.
The design relies on its contour rather than fill, so perceived weight comes from the outline thickness and the generous internal whitespace. Round letters (O/Q/C/G) are especially prominent, while diagonals introduce a subtle, dynamic slant in the overall texture without the type actually leaning.