Sans Faceted Humar 13 is a light, normal width, low contrast, upright, normal x-height font.
Keywords: display, posters, game ui, fantasy titles, packaging, runic, angular, playful, hand-drawn, mythic, runic feel, carved look, expressive display, geometric stylization, faceted, geometric, chiseled, irregular, monoline.
This font is built from straight, faceted strokes that replace curves with sharp planar angles. Strokes are monoline and slightly uneven, giving the outlines a hand-drawn, improvised feel while keeping a consistent geometric logic across the set. Uppercase forms read as simplified polygonal constructions, while lowercase retains similar angular structure with open counters and occasional wedge-like terminals. Spacing and widths vary noticeably from glyph to glyph, contributing to a lively, irregular rhythm in text.
Best suited for display settings where its sharp, faceted personality can be appreciated—titles, headers, posters, and branding moments that want a handcrafted, mythical edge. It can also work for game UI, event graphics, or packaging where an emblematic, symbol-carved look supports the concept, but it’s less appropriate for long-form reading at small sizes.
The overall tone feels rune-like and talismanic, with a stylized “carved” character that suggests symbols cut into stone or scratched with a stylus. Its angularity and quirky proportions make it feel playful and expressive rather than formal, leaning toward fantasy and game-like atmospheres.
The design appears intended to translate a carved or runic aesthetic into a readable Latin alphabet by systematically substituting curves with planar facets and keeping stroke weight consistent. Its intentionally irregular widths and slightly wobbly line quality suggest an expressive, hand-rendered approach aimed at characterful display typography rather than strict geometric precision.
Several letters incorporate distinctive diamond and wedge motifs, and rounded shapes (like O/0) are rendered as rotated squares, reinforcing the faceted theme. Numerals follow the same angular construction, with simplified, sign-like silhouettes that prioritize style over conventional typographic neutrality.