Sans Superellipse Otboj 3 is a bold, wide, low contrast, upright, tall x-height, monospaced font visually similar to 'Bluset Now Mono' and 'EF Thordis Mono' by Elsner+Flake, 'Consolas' by Microsoft Corporation, 'Glitched' by Monotype, and 'Bale Mono' by moretype (names referenced only for comparison).
Keywords: code, ui labels, data tables, terminals, packaging, industrial, technical, utilitarian, retro, clarity, alignment, robustness, system use, blocky, rounded, sturdy, compact, mechanical.
This typeface uses solid, even strokes with a squared-off, superellipse construction: curves read as rounded rectangles rather than circles, and terminals are predominantly flat. Counters are generous and open, with tightly controlled geometry that keeps each character visually stable in a fixed-width rhythm. The lowercase has a large x-height with short extenders, producing a compact, efficient silhouette, while capitals are broad and sturdy. Details like the single-storey a and g, the simple i/j with square dots, and the straight, engineered joins reinforce a deliberately constructed, no-nonsense look.
It performs well where fixed-width alignment and strong clarity are needed, such as coding environments, command-line interfaces, UI microcopy, and data tables. The dense, sturdy shapes also suit technical labeling, industrial branding accents, and packaging or signage that benefits from a confident, utilitarian voice.
The overall tone feels industrial and technical, with a subtle retro computing and labeling vibe. Its blunt forms and predictable spacing read as functional and dependable rather than expressive, projecting a pragmatic, workmanlike character suitable for structured information.
The design appears intended to deliver a robust, modernized monospaced sans with softened corners, balancing strict grid discipline with approachable rounded geometry. It prioritizes consistent character width, strong texture, and legible counters to keep dense text readable in structured settings.
Round letters (C, O, Q, 0) appear more squared and boxy due to the superellipse approach, which helps maintain consistency with the flat-sided strokes of E/F/L/T and the angular diagonals in V/W/X/Y. Numerals follow the same blocky logic, staying visually uniform in width and weight for tabular friendliness.