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Free for Commercial Use

Serif Other Utbo 2 is a bold, normal width, low contrast, upright, tall x-height font visually similar to 'King Wood' by Canada Type, 'Geogrotesque Sharp' by Emtype Foundry, 'Fester' by Fontfabric, 'Neusa Neu' by Inhouse Type, 'Hurdle' by Umka Type, and 'Hockeynight Sans' by XTOPH (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, logotypes, western, vintage, poster, folksy, sturdy, display impact, retro branding, woodtype homage, attention grabbing, bracketed serifs, soft corners, rounded terminals, tapered joins, woodtype feel.


Free for commercial use
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A heavy, upright serif with compact internal counters, rounded corners, and subtly tapered strokes that keep the color dense without sharp contrast. Serifs are bracketed and slightly flared, with a soft, carved look rather than crisp engraving; terminals often finish with gentle curves and blunted edges. Proportions feel sturdy and somewhat condensed in places, with a tall lowercase that stays readable at display sizes. Overall spacing is even, producing a strong, blocky rhythm suited to short lines and headings.

Best suited for posters, headlines, signage, and packaging where a strong vintage voice is desirable. It can work well for logotypes and short brand phrases, especially in contexts that want a Western, heritage, or handcrafted feel. For long-form text, the dense color and compact counters suggest using generous size and leading.

The tone is vintage and workmanlike, evoking old poster printing and woodtype traditions. Its softened edges and flared details add a friendly, handcrafted warmth while still projecting solidity and confidence. The overall effect is bold and attention-grabbing without feeling aggressive.

The design appears intended to mimic the bold impact of traditional display serifs used in letterpress and poster work, combining flared, bracketed details with softened contours for an approachable, retro character. It prioritizes visual punch and a recognizable stylistic signature over neutrality.

The figures and capitals maintain a consistent, cut-in-stone/press-printed silhouette, with rounded outer corners and tight counters that create a dark, cohesive texture. The lowercase includes distinctive, slightly quirky shapes (notably in letters like g, k, and y) that enhance the decorative personality and keep it firmly in the display realm.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸