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Free for Commercial Use

Sans Contrasted Ilpi 11 is a regular weight, normal width, very high contrast, upright, normal x-height font.

Keywords: headlines, logotypes, posters, magazine, packaging, editorial, fashion, art deco, modernist, dramatic, display impact, luxury branding, geometric experimentation, editorial voice, graphic contrast, hairline, geometric, crisp, angular, refined.


Free for commercial use
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This typeface is built from bold, blocky stems paired with extremely thin hairlines, creating a sharp, graphic rhythm. Many forms feel constructed from simple geometry—half-circles, vertical rectangles, and straight crossbars—often with deliberate breaks where hairlines connect to heavier strokes. Curves are clean and near-monoline in their thin portions, while the thick portions read as solid fills, producing a striking positive/negative interplay in bowls and counters. Terminals are crisp and unbracketed, diagonals are knife-like, and the overall spacing and proportions favor a display-oriented silhouette over continuous text texture.

Best suited for headlines, mastheads, branding, and short statements where the high-contrast construction can be appreciated at larger sizes. It can also work well for fashion/beauty packaging and editorial covers, where its geometric, cut-paper feel adds instant sophistication. For long-form text, it is likely most effective as an accent face (pull quotes, display captions) rather than body copy.

The overall tone is luxe and editorial, with a fashion-magazine sharpness and a hint of Art Deco theatrics. Its dramatic contrast and cutout-like construction make it feel curated, stylish, and intentionally graphic rather than neutral or utilitarian.

The design appears intended as a contemporary, high-fashion display sans that reinterprets geometric letterforms through extreme contrast and intentional stroke separation. The goal seems to be creating memorable silhouettes and a bold black-and-white texture that stands out in editorial and branding contexts.

Several letters and numerals emphasize split construction (e.g., bowls rendered as half heavy/half hairline), which can read as elegant in headlines but may become delicate at smaller sizes due to the extremely thin strokes. The design’s strong vertical emphasis and crisp joins give it a poster-like presence and a distinctive, logo-ready character.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸