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Slab Contrasted Abto 3 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Egyptian 710' by Bitstream, 'DilleniaUPC' by Microsoft Corporation, 'Monotype Clarendon' by Monotype, 'Directa Serif' by Outras Fontes, 'Cabrito' by insigne, and 'Ave Maria' by words+pictures (names referenced only for comparison).

Keywords: headlines, posters, packaging, book covers, branding, sturdy, friendly, vintage, editorial, confident, impact, readability, heritage, solidity, editorial tone, bracketed, blocky, robust, softened, high impact.


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A heavy serif with prominent, squared serifs that read slab-like, softened by noticeable bracketing and rounded joins. Strokes are generally thick with subtle modulation, giving counters a compact, ink-friendly feel and producing strong color on the page. Proportions are steady and readable, with clear vertical stress and blunt terminals; rounds are full and slightly condensed by the weight. Numerals and capitals feel especially solid and poster-ready, while the lowercase maintains a traditional, text-rooted structure.

Best suited to headlines and short-to-medium display copy where its heavy, slabby serifs can deliver impact and clarity. It works well for editorial titling, posters, packaging, and brand marks that need a classic, trustworthy voice with strong presence. For long text, it will be most comfortable at larger sizes with generous spacing.

The overall tone is sturdy and dependable with a warm, approachable classicism. It suggests established print traditions—newspapers, book jackets, and signage—without feeling delicate or precious. The weight and slabby presence convey confidence and authority, while the rounded shaping keeps it personable.

The design appears intended to combine the assertiveness of slab-like serifs with the familiarity of traditional serif construction. Its bracketing and rounded transitions soften the blockiness, aiming for a versatile display face that can feel both authoritative and inviting in print-style contexts.

The serifs are broad and consistent, creating strong horizontal anchoring and a stable baseline rhythm. Tight inner spaces at smaller sizes may darken quickly, but at display sizes the forms read as bold, clear silhouettes with a distinctly vintage editorial flavor.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸