Solid Boti 11 is a regular weight, normal width, medium contrast, upright, normal x-height font.
Keywords: posters, headlines, logos, packaging, album art, playful, quirky, retro, graphic, whimsical, pattern-making, attention-grabbing, counter collapse, display impact, novelty styling, geometric, high-impact, alternating fills, stylized counters, rounded forms.
A stylized Latin design with a geometric backbone and a conspicuous alternation between open, hairline-stroked construction and fully filled, counterless shapes. Many rounded letters and bowls appear as solid black discs or blobs, while other glyphs are reduced to thin monoline strokes, creating a strong light–dark rhythm across words. Proportions are generally clean and upright, with simple terminals and minimal detailing; several glyphs feature collapsed or partially occluded apertures that trade readability for bold silhouette. Numerals follow the same concept, mixing slim linear forms with heavy, filled figures for an intentionally irregular texture.
Best suited to display settings such as posters, headlines, branding marks, and packaging where its alternating light/dark pattern becomes a graphic asset. It can also work for short editorial callouts or event materials, but is less appropriate for dense body text where counter closure may hinder quick reading.
The font reads as playful and offbeat, with a poster-like sense of humor driven by its dramatic negative-space manipulation. Its alternating solid and outline moments evoke a retro, experimental display tone—more about visual punch and surprise than neutrality.
The design appears intended to turn ordinary letterforms into a rhythmic, high-contrast pattern by collapsing counters and swapping between skeletal strokes and solid masses. The goal is a distinctive, novelty-forward display voice that remains structurally legible while behaving like a graphic motif.
Because filled counters recur throughout the design, letter recognition can shift depending on context and size; the typeface creates its strongest effect when the distinctive silhouettes can be read as intentional patterning. The black shapes function almost like built-in ornaments, giving lines of text a spotty, rhythmic cadence.