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Serif Other Wina 6 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Aspira' and 'Neutro' by Durotype, 'Glendale' by Sarid Ezra, and 'Snag' by Smith Hands (names referenced only for comparison).

Keywords: headlines, posters, book covers, branding, packaging, medieval, storybook, whimsical, gothic, dramatic, display impact, period flavor, thematic branding, decorative texture, flared serifs, wedge serifs, triangular terminals, soft curves, ink-trap feel.


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A very heavy display serif with compact, rounded bowls and pronounced flared, wedge-like serifs that often resolve into sharp triangular points. Strokes are broadly consistent with moderate contrast, while corners and joins are subtly sculpted to create an ink-trap-like bite and a chiseled silhouette. The uppercase feels sturdy and blocky, while the lowercase shows more idiosyncratic forms (notably in the curved letters and diagonals), giving the overall texture an uneven, hand-cut rhythm. Numerals are similarly weighty with pointed terminals and strong, dark counters.

Best suited to short-form display settings such as headlines, posters, titles, and packaging where its dramatic terminals and dense color can be appreciated. It can also work for themed branding (fantasy, renaissance, craft or vintage-inspired) when set with generous tracking and ample line spacing to keep the sharp details from crowding.

The typeface evokes old-world signage and storybook medievalism, combining theatrical sharpness with a playful, slightly mischievous personality. Its spiky terminals and chunky massing suggest fantasy, folklore, and period-themed titles rather than neutral editorial tone.

Likely designed to deliver a bold, decorative serif voice with historic and folkloric cues, emphasizing a carved, hand-shaped presence over strict typographic neutrality. The goal appears to be strong shelf impact and distinctive word shapes for title typography.

Spacing and sidebearings appear to vary by glyph, reinforcing a lively, less-mechanical cadence in text. The pointed serif treatment repeats consistently across caps, lowercase, and figures, helping the design hold together even at larger sizes where the carved details become prominent.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸