Sans Normal Olbab 5 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Arial Nova' by Monotype (names referenced only for comparison).
Keywords: headlines, branding, posters, signage, ui labels, modern, clean, confident, utilitarian, friendly, clarity, impact, versatility, modernity, legibility, geometric, open counters, large apertures, even rhythm, solid color.
This is a heavy, geometric sans with smooth, round bowls and a largely monolinear feel. Curves are built from near-circular forms, with clean joins and minimal modulation, producing a consistent, even texture. Terminals are predominantly flat and squared-off, while counters stay open and generous, supporting clarity at a range of sizes. Uppercase proportions feel stable and straightforward, and the lowercase maintains a compact, efficient silhouette with simple, single-storey forms (notably the a and g). Numerals are sturdy and highly legible, matching the same rounded-rectilinear construction and consistent stroke behavior.
It performs best in display and short-to-medium text where high impact and quick readability are needed, such as headlines, brand marks, packaging callouts, and posters. The open counters and straightforward shapes also suit interface labels and wayfinding-style signage where clarity and durability of form matter.
The overall tone is contemporary and direct, with a practical confidence. Its rounded geometry keeps it approachable, while the heavy weight and crisp edges communicate strength and clarity. The result feels neutral and versatile rather than expressive or decorative.
The design appears intended to deliver a modern, highly legible sans with a geometric foundation and a strong presence. It prioritizes clean construction, even texture, and uncomplicated letterforms that reproduce reliably across print and screen contexts.
Spacing appears comfortable and even, creating a smooth line color in the paragraph sample. Diagonals (such as in A, V, W, X, Y) are clean and assertive, and round letters (O, C, G, Q) read as strongly circular, reinforcing the font’s geometric backbone.