Sans Contrasted Puti 6 is a very bold, narrow, high contrast, upright, normal x-height font visually similar to 'MC Folettes' by Maulana Creative, 'Shtozer' by Pepper Type, and 'Bolshoi' and 'Glasnost' by Umka Type (names referenced only for comparison).
Keywords: headlines, posters, packaging, signage, logos, industrial, posterlike, authoritative, vintage, impact, compactness, industrial flavor, display emphasis, condensed, stencil cut, ink-trap, square-shouldered, blocky.
A condensed, heavy display face with squared proportions and pronounced vertical stress. Strokes are thick overall but show visible modulation, with thin joins and tapered terminals that create a chiseled, cut-out look. Many letters feature small interior notches and wedge-like breaks (notably around corners and junctions), giving a slightly stenciled, ink-trap-adjacent construction. Counters are tight and mostly rectangular, and the overall rhythm is upright and compact with strong vertical emphasis.
Best suited to headlines, posters, packaging, and signage where dense, high-impact letterforms are an advantage. It can also work for logos and wordmarks that want an industrial or vintage edge, especially when set with generous tracking and ample line spacing.
The font reads forceful and utilitarian, with a rugged, engineered character. Its cut terminals and notched details evoke vintage industrial signage and bold headline typography, projecting authority and a slightly theatrical, old-time tone.
The design appears intended to deliver maximum impact in a compact width while adding distinctive cut details for a crafted, mechanical feel. Its consistent vertical emphasis and notched joins suggest a display-focused typeface made to stand out in large sizes and bold branding applications.
The lowercase mirrors the uppercase’s condensed geometry, with single-storey forms where applicable and compact apertures that keep the color dense. Numerals follow the same blocky, notched construction, staying highly legible at display sizes while becoming visually busy in long text due to the tight counters and decorative cuts.