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Solid Umti 5 is a very bold, narrow, low contrast, italic, tall x-height font visually similar to 'Refinery' by Kimmy Design, 'RBNo2.1' by René Bieder, and 'Kelpt' and 'Kelpt Sans' by Typesketchbook (names referenced only for comparison).

Keywords: posters, headlines, sportswear, logos, packaging, aggressive, industrial, sporty, tough, edgy, impact, motion, ruggedness, branding, attention, angular, chamfered, stencil-like, condensed, blocky.


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A dense, forward-slanted display face built from chunky, faceted strokes with sharply chamfered corners. Curves are largely suppressed into polygonal forms, producing octagonal rounds and clipped terminals throughout. Counters are reduced and often appear collapsed, creating solid interior masses and emphasizing silhouette over internal detail. The rhythm is compact and vertical, with a tight, engineered spacing feel and a consistent, heavy footprint across uppercase, lowercase, and figures.

Works best where impact and character are primary—posters, event graphics, sports and action-themed branding, apparel marks, and packaging titles. It can also serve for short UI labels or badges when set large, but its collapsed interiors and dense silhouettes make it less appropriate for long text or small captions.

The font projects a hard, high-impact attitude with a machined, industrial edge. Its slanted stance and cut-in geometry suggest speed and force, reading as assertive and confrontational rather than refined. The overall tone is bold and attention-seeking, suited to energetic, gritty branding.

Likely intended as a high-energy, novelty display style that turns letterforms into solid, chiseled shapes. The design prioritizes a strong, recognizable outline and an aggressive slant to convey motion and toughness in branding-led applications.

Uppercase forms read like carved blocks with notched joins and wedge-like cuts, while lowercase keeps the same faceted construction and compact proportions for continuity. Numerals follow the same clipped, polygonal logic, making them feel unified in headlines but less suited to precision reading at small sizes. The design relies heavily on outer contours, so it benefits from generous sizing and clear contrast against the background.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸