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Free for Commercial Use

Outline Nyru 1 is a very light, normal width, medium contrast, upright, normal x-height font.

Keywords: posters, headlines, invitations, branding, packaging, art deco, elegant, vintage, airy, refined, display impact, vintage styling, ornamental elegance, lightness, monolinear, outlined, high-contrast feel, hairline, decorative.


Free for commercial use
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A delicate outline serif with hairline contours that trace each letterform, creating an open, hollow interior and a light, airy color on the page. The design mixes classical serif structure with softened curves and occasional flourish-like terminals, while keeping an overall upright, readable skeleton. Round forms (O, C, G) are smoothly drawn and the outlines often run in parallel, giving a layered, double-line impression; joins and intersections stay crisp and controlled. Numerals follow the same thin, contoured construction, with elegant curves and a slightly calligraphic rhythm.

Best suited for display applications such as posters, titles, event invitations, and boutique branding where the outline detail can be seen clearly. It can add a premium, vintage accent to packaging, menus, and editorial feature headings, especially when paired with a simpler text face for body copy.

The font reads as refined and decorative, with a vintage glamour that recalls early 20th‑century display typography. Its outline construction feels light, ornamental, and slightly theatrical, lending a sense of sophistication without heaviness. Overall, it suggests a stylish, curated tone suited to statement-setting rather than utilitarian text.

The design appears intended to deliver a classic serif silhouette in a lightweight, outline-drawn form that emphasizes elegance and ornament. The consistent contouring and restrained flourishes suggest a focus on stylish impact and period-leaning character in large-format typography.

Because the strokes are drawn as outlines, small sizes can appear faint and interior gaps can close visually when reproduced on low-resolution outputs. Spacing feels intentionally open, and the double-line contour effect becomes a key visual feature in larger settings where the outlines can be appreciated.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸