Script Opmid 14 is a regular weight, normal width, high contrast, italic, very short x-height font.
Keywords: wedding, invitations, branding, logos, packaging, elegant, romantic, refined, lively, classic, add elegance, feel personal, create flourish, highlight initials, brush-like, swashy, calligraphic, looped, flourished.
A flowing, slanted script with brush-pen energy and pronounced thick–thin modulation. Strokes taper into sharp terminals and occasional teardrop-like ends, with generous curves and intermittent swashes on capitals. Letterforms vary in footprint and rhythm, creating a lively, handwritten cadence; ascenders are tall and sweeping while the lowercase bodies stay compact. Numerals follow the same calligraphic logic, with open loops and angled entry/exit strokes that keep the set cohesive.
Well-suited to display settings where elegance and personality are desired, such as wedding suites, invitations, boutique branding, product packaging, and short headline treatments. It performs best at larger sizes where the contrast, loops, and swashes remain clear, and in brief phrases where the expressive rhythm can be appreciated.
The overall tone is graceful and expressive, balancing formal calligraphy with a spontaneous handwritten feel. It reads as polished and celebratory, with enough flourish to feel special without becoming overly ornate. The energetic stroke contrast and looping forms give it a romantic, signature-like personality.
The design appears intended to evoke formal handwritten calligraphy with a modern brush-script liveliness. Its compact lowercase and dramatic capitals suggest an emphasis on standout initials and signature-like wordmarks while maintaining a cohesive, readable flow for short lines of text.
Uppercase characters tend to carry the most decoration, with extended entry strokes and occasional looped counters, while lowercase forms remain simpler and more compact for steadier text color. Spacing appears intentionally varied to preserve a natural script rhythm, and the joins and stroke direction changes emphasize a brush-written texture rather than a geometric construction.