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Free for Commercial Use

Distressed Esba 1 is a bold, normal width, high contrast, upright, normal x-height font visually similar to 'Ageo' by Eko Bimantara, 'Endeavor' by Lucas Tillian, 'MC Qiluant' by Maulana Creative, 'Almarose' by S&C Type, and 'Soleil' by TypeTogether (names referenced only for comparison).

Keywords: posters, packaging, headlines, stickers, apparel, playful, handmade, rugged, friendly, casual, add texture, feel handmade, look printed, create warmth, rounded, chunky, inked, blotchy, textured.


Free for commercial use
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A chunky, rounded sans with heavy strokes and soft terminals, drawn with a hand-rendered feel. The letterforms are deliberately irregular, with slight wobble in curves and straights, variable stroke pressure, and speckled/eroded texture that reads like rough ink or worn printing. Counters are generally open and generous, while joins and corners are softened, giving the set a sturdy, approachable silhouette. Numerals and punctuation maintain the same uneven inking and organic rhythm, prioritizing character over geometric uniformity.

Best suited to display uses where texture and personality are assets: posters, event graphics, packaging, labels, stickers, and apparel/logos with a handcrafted look. It can handle short paragraphs in promotional copy, but the distressed interior detail will generally read cleaner at medium-to-large sizes and on high-contrast backgrounds.

The overall tone is playful and informal, with a crafty, analog energy that feels tactile and human. Its distressed surface adds a vintage, slightly grungy edge without becoming aggressive, keeping the voice friendly and upbeat. The result suggests DIY making, screen-printed merch, or hand-stamped packaging aesthetics.

The design appears intended to deliver a bold, approachable display voice with an intentionally imperfect, worn-ink finish. It aims to mimic the warmth of hand lettering and the artifacts of print processes, trading strict consistency for charm and tactile authenticity.

Texture density varies within and across glyphs, producing a lively “printed” grain that becomes more noticeable at larger sizes. Spacing appears intentionally natural rather than mechanically even, reinforcing the handmade impression while keeping words readable in short passages.

120px
108px
96px
84px
72px
64px
56px
48px
44px
40px
36px
32px
30px
28px
26px
24px
22px
20px
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9px
8px
Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸