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Free for Commercial Use

Outline Ofzu 1 is a light, normal width, low contrast, upright, normal x-height font.

Keywords: display, posters, headlines, logotypes, tech branding, techy, retro digital, playful, diy, experimental, digital aesthetic, modular construction, retro computing, graphic impact, experimental display, geometric, rectilinear, monoline, pixel-like, wireframe.


Free for commercial use
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This font is built from thin, continuous outline strokes that trace rectilinear, boxy letterforms. Many glyphs use stepped corners, right angles, and occasional protruding tabs, creating a modular, constructed feel. Counters are typically open and airy, with squared interior spaces and a consistent stroke weight that reads as a wireframe. Proportions vary by glyph, and the outlines sometimes overlap or “double back” to form layered, schematic shapes, producing an intentionally mechanical rhythm.

Best suited to display settings where the outline construction can be appreciated—headlines, posters, packaging accents, and tech or gaming-themed branding. It can work for short UI-style labels or titling where a wireframe, schematic aesthetic is desired, but it benefits from generous sizing and comfortable tracking to keep the angular details clear.

The overall tone feels like a retro-digital interface rendered as line art—technical, game-adjacent, and slightly glitchy. Its angular construction and visible outlining give it a tinkered, experimental character that reads as playful rather than formal. The design suggests circuitry, vector graphics, and early computer aesthetics.

The design appears intended to translate digital, grid-based geometry into a clean outline alphabet with a deliberately constructed, slightly glitch-informed personality. By emphasizing rectilinear strokes, open counters, and occasional modular add-ons, it aims to feel like a technical drawing of type rather than a filled text face.

In running text, the open outlines and frequent right-angle turns create a lively texture with a lot of white space inside and around forms. Some characters incorporate small notches and stepped details that add personality but also introduce visual complexity, especially where strokes cluster around corners. Spacing appears to rely on the variable widths of the glyphs, reinforcing the hand-built, modular look.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸