Sans Faceted Fusa 6 is a bold, narrow, monoline, italic, normal x-height font visually similar to 'Cord Nuvo' by Designova, 'Agency FB' by Font Bureau, 'Beachwood' by Swell Type, 'Merchanto' by Type Juice, and 'Buyan' by Yu Type (names referenced only for comparison).
Keywords: headlines, posters, sports branding, packaging, labels, sporty, industrial, aggressive, technical, retro, impact, speed, durability, precision, angular, chiseled, condensed, oblique, blocky.
A condensed oblique sans with sharply faceted construction that replaces curves with planar cuts and chamfered corners. Strokes are largely uniform in thickness, producing a crisp, high-contrast silhouette against the page without relying on modulation. Counters tend toward rectangular and octagonal shapes, and joins are squared-off, giving the alphabet a carved, mechanical feel. The overall rhythm is tight and vertical, with compact widths and streamlined spacing that reads as fast and forward-leaning in text.
Best suited to short, prominent text where its sharp facets and oblique stance can carry visual personality—headlines, posters, and branding systems that want a fast, technical edge. It also works well for packaging, labels, and product marks that benefit from a rugged, machined look. For longer passages, it performs most comfortably at larger sizes where the angular counters and tight proportions have room to breathe.
The faceted geometry and forward slant give the font an energetic, high-impact tone associated with speed, machinery, and competition. Its hard edges feel assertive and pragmatic rather than friendly, lending a utilitarian confidence. The look nods to retro athletic and sci‑fi labeling aesthetics while staying clean and direct.
The design appears intended to deliver a compact, high-impact voice that reads quickly while projecting motion and toughness. By standardizing stroke weight and swapping curves for chamfers, it aims for a manufactured, performance-oriented aesthetic that stays consistent across letters and numerals.
Diagonal strokes and clipped terminals create consistent “cut” motifs across rounds like C/O/Q and bowls like B/P/R, which helps the design feel cohesive. Numerals follow the same angular logic, maintaining legibility through strong outer silhouettes and simplified interior shapes. The italic angle is pronounced enough to signal motion, but the letterforms remain sturdy and block-like.