Script Mylih 13 is a regular weight, very narrow, high contrast, italic, very short x-height font.
Keywords: invitations, wedding, branding, packaging, headlines, elegant, romantic, vintage, refined, whimsical, calligraphic feel, premium tone, personal touch, decorative display, calligraphic, looped, flourished, swashy, slanted.
A slanted, calligraphic script with pronounced thick–thin contrast and a smooth, pen-like rhythm. Letterforms feature long, tapering entry and exit strokes, frequent loops, and occasional swashes that extend above ascenders or below the baseline. Capitals are decorative and slightly varied in width, with prominent curved terminals and a handwritten irregularity that keeps the texture lively. Lowercase is compact with a very small x-height and tall ascenders, producing a graceful, vertical emphasis despite the italic slant; counters stay relatively open, and joins are suggested more by flowing terminals than strict continuous connections.
Best suited for display settings where its contrast and flourishes can breathe: wedding and event stationery, logos and boutique branding, product packaging, social graphics, and short headlines. It can also work for pull quotes or nameplates, while longer paragraphs may require generous size and spacing for clarity.
The overall tone is polished and expressive, combining formal calligraphy with a lightly playful, handwritten charm. It evokes classic invitations and boutique branding—romantic, slightly nostalgic, and designed to feel personal rather than mechanical.
The design appears intended to mimic a pointed-pen or brush-script signature style, prioritizing elegance and expressive movement. Its compact lowercase and embellished capitals suggest a focus on decorative titling and personal, premium presentation rather than utilitarian text setting.
Stroke endings often finish in fine hairline flicks, and several glyphs show distinctive looped constructions (notably in capitals and letters like g, y, and z), which adds flair but can increase visual complexity at small sizes. Numerals follow the same calligraphic logic, with rounded forms and tapered terminals that match the alphabet’s rhythm.