Sans Superellipse Tekeh 2 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Tradesman' by Grype, 'Mexicana' by Hemphill Type, 'Herchey' by Ilham Herry, 'Calsera' by Ironbird Creative, and 'Hockeynight Sans' by XTOPH (names referenced only for comparison).
Keywords: posters, headlines, logos, packaging, stickers, handmade, rugged, playful, bold, streetwise, impact, texture, display, attitude, blocky, stencil-like, rough-edged, chunky, inked.
A heavy, blocky sans with rounded-rectangle construction and slightly irregular outlines that feel inked or hand-cut. Strokes are mostly monolinear but show subtle wobble, nicks, and uneven edges, producing a textured silhouette while maintaining clear, compact counters. Corners alternate between softly rounded and bluntly squared, and curves resolve into squarish bowls, giving the forms a sturdy, superellipse-like geometry. Spacing and widths vary by glyph, contributing to an energetic rhythm in words while remaining legible at display sizes.
Best suited for short, high-impact text such as posters, event flyers, cover art, bold branding, and packaging where the rugged texture can be appreciated. It can work for punchy captions or callouts when set with generous tracking and line spacing; for long passages, the heavy weight and irregular edges are likely to feel dense.
The overall tone is gritty and handmade, balancing toughness with a playful, cartoon-like bounce. Its roughened edges and chunky shapes suggest DIY printing, skater/flyer culture, or comic props rather than polished corporate minimalism. The font reads loud and assertive, with a friendly mischief that keeps it from feeling overly severe.
The design appears intended to merge a geometric, rounded-rectangle skeleton with deliberately imperfect, handmade edges, creating a display face that feels both structured and raw. It prioritizes personality and punch over typographic neutrality, aiming for strong visibility and a tactile, printed impression.
The rough texture is most visible along vertical stems and on the tops and bottoms of letters, where edges look slightly torn or stamped. Rounded rectangular counters (notably in letters like O and P) reinforce the geometric base, while the imperfect contours keep the design from feeling rigid.