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Print Byrey 11 is a light, narrow, medium contrast, italic, very short x-height font.

Keywords: headlines, posters, invitations, packaging, quotes, casual, expressive, airy, organic, lively, handwritten warmth, personal tone, expressive display, casual elegance, brand accent, slanted, brushlike, fluid, hand-drawn, calligraphic.


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This typeface uses a slanted, handwritten skeleton with gently tapering strokes and a lively, brushlike rhythm. Letterforms are narrow with variable character widths, and the curves show subtle swelling and thinning that suggests pen or brush pressure rather than rigid construction. Terminals are mostly rounded and soft, with occasional sharp joins in diagonals that add energy. Capitals are tall and open, while lowercase forms are compact with a notably small x-height, creating a high contrast in proportion between ascenders and the main body of text. Numerals follow the same informal, flowing logic, with simple forms and smooth curves that keep the set consistent.

It works best for short to medium text where a personal, handcrafted voice is desired—headlines, posters, invitation copy, packaging callouts, and pull quotes. The tall capitals and small x-height give it a distinctive silhouette that suits display sizes and branding accents more than dense, small-size body text.

The overall tone is relaxed and personal, like quick, confident handwriting intended to feel approachable rather than formal. Its slight irregularities and sweeping strokes give it an expressive, human cadence that reads friendly and creative.

The design appears intended to capture the spontaneity of informal handwriting while keeping letterforms coherent and readable across mixed-case text. By combining narrow proportions, slanted movement, and brushlike modulation, it aims to deliver a light, elegant hand-drawn style that adds personality without becoming overly decorative.

Spacing appears naturally loose and letterforms remain unconnected, preserving a printed-handwriting feel while maintaining clear word shapes. Several glyphs use long, elegant entry/exit strokes (notably in capitals and select lowercase), which can add flair in headlines but may call for generous line spacing in paragraph settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸