Font Hero

Endless Fonts
Free for Commercial Use
Download Now

Distressed Itros 8 is a very bold, wide, medium contrast, upright, normal x-height font visually similar to 'Goodall' by Colophon Foundry, 'Bluteau Slab' by DSType, 'Calanda' and 'Equip Slab' by Hoftype, 'Sánchez Niu' by Latinotype, and 'Paul Slab' and 'Paul Slab Soft' by artill (names referenced only for comparison).

Keywords: posters, headlines, packaging, signage, logotypes, rugged, western, playful, vintage, loud, impact, nostalgia, ruggedness, attention, slab serif, rounded, blunted, inked, roughened.


Free for commercial use
Customize the font name

A heavy slab-serif display face with rounded, blunted terminals and soft corners throughout. Strokes are thick and compact, with wide bodies and generous interior counters that keep forms readable at larger sizes. The outlines show deliberate wear: small chips, pitting, and uneven edges that mimic rough printing or stamped ink. Serifs are blocky and integrated, producing sturdy silhouettes and a strong, poster-like rhythm across lines.

Best suited for display settings such as posters, headlines, signage, and packaging where the distressed detailing can be appreciated. It also works well for bold wordmarks and short brand statements that benefit from a rugged, vintage-inflected voice. For small sizes or dense text blocks, the texture may reduce crispness, so larger point sizes and ample leading are recommended.

The overall tone is rugged and nostalgic, with a confident, attention-grabbing presence. The distressed texture adds a casual, lived-in character that feels earthy and handmade rather than polished. It reads as bold and friendly, balancing toughness with a slightly playful, retro charm.

The design appears intended to deliver strong impact with a classic slab-serif structure while adding a convincingly worn finish. Its proportions and rounded slabs prioritize bold legibility and memorable shapes, with distressing used to suggest age, grit, and analog printing.

Texture is present across nearly all glyphs, so the distressed detail becomes a key part of the color and can visually accumulate in long passages. Spacing appears fairly open for such a heavy design, helping counters and joins stay distinguishable. Numerals match the chunky, rounded slab style and carry the same worn surface.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸