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Inline Igma 6 is a very light, normal width, low contrast, upright, normal x-height font.

Keywords: headlines, book covers, posters, invitations, logos, vintage, formal, decorative, scholarly, theatrical, ornamental titling, engraved look, vintage flair, refined display, outlined, engraved, flared, serifed, calligraphic.


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A decorative serif with an engraved, double-line construction that reads as a fine outline with an inner inline channel through most strokes. Letterforms are upright with modest, classical proportions and wedge-like, lightly flared serifs. Curves are smooth and slightly faceted in places, while joints and terminals show subtle, calligraphic tapering that keeps the texture lively despite the airy stroke weight. Spacing is fairly open and the overall color stays light, making the design feel delicate and ornamental rather than dense.

Best suited for display typography such as titles, chapter heads, packaging labels, and event collateral where the engraved inline detail can be appreciated. It can also work for short pull quotes or signage with ample size and contrast against the background. For longer passages, it is likely most effective as an accent face paired with a simpler text companion.

The font conveys an old-world, bookish elegance—part inscriptional roman, part storybook display. Its inline/outlined treatment adds a theatrical, crafted quality reminiscent of engraving, vintage stationery, and ornamental titling. The tone feels refined and slightly whimsical, suitable for designs that want a historical or ceremonial accent without heavy blackletter weight.

The design appears intended to evoke an engraved, ornamental serif for classic titling, using inline detailing to add craftsmanship and visual interest without increasing weight. Its controlled proportions and consistent decorative logic suggest a focus on elegant display use in vintage or formal contexts.

The inline detailing remains consistent across caps, lowercase, and numerals, giving headings a cohesive, etched look. Lowercase forms lean toward traditional, slightly gothic-tinged shapes (notably in vertical stems and angled joins), which strengthens the antique flavor in continuous text. Because the strokes are finely drawn and open, the design benefits from generous sizes and clean backgrounds where its interior channels can stay legible.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸