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Free for Commercial Use

Sans Contrasted Igry 8 is a very bold, normal width, very high contrast, upright, normal x-height font.

Keywords: posters, headlines, logotypes, packaging, editorial, art deco, theatrical, retro, display, display impact, vintage flair, graphic contrast, poster styling, geometric, monolinear feel, cut-in terminals, stenciled impression, dramatic curves.


Free for commercial use
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A heavy, high-impact display sans with sharply contrasting thick verticals and hairline-like connections. Many glyphs read as constructed from bold rectangular stems paired with rounded bowls that are carved out by crisp, vertical or horizontal cut-ins, creating a semi-stenciled, poster-cut look. Curves are broad and smooth, counters are often deep and asymmetric, and several joins feel intentionally interrupted rather than smoothly connected. Proportions vary by letter, giving the set a lively rhythm, while the overall silhouette remains clean and upright with a strong baseline presence.

Best suited for large-scale applications where its contrast and carved details can be appreciated—posters, striking headlines, branding marks, packaging titles, and editorial display. It can add a period-flavored, graphic punch to short phrases and titling, especially in high-contrast layouts.

The font conveys a dramatic, vintage-modern tone—part Art Deco, part stage-poster—mixing elegance from the thin connectors with assertiveness from the blocky masses. Its cut-in terminals and exaggerated contrast add a slightly mischievous, theatrical character that feels attention-seeking and graphic rather than neutral.

The design appears intended to fuse geometric sans foundations with dramatic, decorative cut-ins and extreme stroke contrast, creating a distinctive display face that feels both structured and playful. The irregular rhythm and semi-stenciled joins suggest an emphasis on visual personality and poster-readability over continuous text neutrality.

In the sample text, the bold vertical strokes dominate line color, while the thin connectors can visually recede at smaller sizes, increasing the sense of sparkle and fragmentation. Numerals and round letters emphasize the carved, split construction, and the overall texture alternates between dense blocks and airy gaps, producing a distinctive headline rhythm.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸