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Wacky Nily 2 is a bold, normal width, medium contrast, italic, normal x-height font visually similar to 'DR Krapka Rhombus' by Dmitry Rastvortsev (names referenced only for comparison).

Keywords: posters, album covers, game titles, event flyers, headlines, gritty, rebellious, chaotic, punk, mischievous, grab attention, add texture, convey motion, create attitude, jagged, distressed, chiseled, angular, rough-edged.


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A sharply slanted, heavy display face built from angular, faceted strokes with a deliberately jagged perimeter. The letterforms feel chiseled and irregular, as if cut from fractured pieces, with small notches and zig-zag contours replacing smooth curves. Counters are compact and uneven, terminals are abrupt, and joins often form pointed corners that create a restless texture across words. Spacing and widths vary noticeably from glyph to glyph, reinforcing the handmade, intentionally unstable rhythm.

Best suited for short, attention-grabbing settings such as posters, covers, title cards, and promotional graphics where texture and attitude are priorities. It can work well for branding or packaging that aims for a raw, energetic feel, and for game or entertainment UI where a gritty decorative headline is needed. Because the distressed edges create visual noise, it will perform most reliably at larger sizes and with generous line spacing.

The font projects a loud, unruly energy—part gritty street attitude, part playful menace. Its broken, scratchy silhouette suggests noise, motion, and disruption, giving text a rebellious, high-impact tone rather than a refined or neutral voice.

The design intention appears to be creating a high-impact, stylized italic display with a broken, faceted texture—more about character and motion than typographic neutrality. The consistent use of jagged edges and abrupt angles suggests a deliberate move toward a rugged, experimental silhouette that stands out immediately in headlines.

Uppercase and lowercase share the same rough, faceted construction, with the lowercase retaining a compact, punchy presence that reads more like a stylized small-cap feel than a delicate text hand. Numerals match the same jagged cut-in detailing, keeping a consistent, abrasive texture in mixed alphanumeric settings.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸