Sans Faceted Katu 11 is a bold, very wide, monoline, upright, normal x-height font.
Keywords: headlines, logos, posters, gaming ui, tech branding, futuristic, tech, industrial, sci-fi, arcade, futurism, tech aesthetic, display impact, system consistency, industrial tone, geometric, angular, chamfered, squared, modular.
A geometric sans built from squared forms with pronounced chamfered corners that replace curves with short diagonals. Strokes are consistently thick with a monoline feel, and counters tend toward rounded-rectangle openings, giving letters a faceted, cut-metal profile. The design favors horizontal emphasis and wide proportions, with generous interior space and clear, blocky silhouettes; diagonals appear selectively (notably in K, V, W, X) as crisp, planar joins rather than smooth transitions. Numerals follow the same rectangular construction, with segmented-like breaks and flattened terminals that reinforce the engineered rhythm.
This font is well-suited to short, high-impact settings where its angular construction can read cleanly: display headlines, logotypes, posters, game titles, and interface/UI labeling for tech or industrial themes. It also works effectively for packaging or signage where a futuristic, engineered voice is desired, while extended paragraphs may feel dense due to the wide footprint and strong, uniform strokes.
The overall tone is futuristic and utilitarian, evoking cockpit displays, hardware labeling, and retro arcade interfaces. Its sharp facets and squared counters read as assertive and synthetic, with a distinctly tech-forward, mechanical character.
The design appears intended to translate a faceted, industrial geometry into a readable sans, prioritizing a cohesive system of squared counters and chamfered corners. It aims to communicate a contemporary sci-fi/tech sensibility while maintaining consistent stroke logic across letters and numerals.
In text, the wide set and strong geometry create a steady, grid-like cadence; the most distinctive signature comes from the clipped corners and the rounded-rectangle bowls that keep the face from feeling purely rigid. The punctuation shown (e.g., colon, apostrophe, exclamation) is minimal and squared to match the systemized construction.