Sans Superellipse Osmoy 8 is a bold, normal width, low contrast, upright, tall x-height, monospaced font visually similar to 'Libertad Mono' by ATK Studio, 'Fester' by Fontfabric, 'Fabrikat Mono' by HVD Fonts, and 'Karben 205 Mono' by Talbot Type (names referenced only for comparison).
Keywords: ui labels, wayfinding, posters, packaging, tech branding, industrial, utility, tech, blunt, authoritative, clarity, uniformity, impact, systematic, space efficiency, geometric, square-rounded, blocky, compact, high clarity.
A heavy, geometric sans with square-rounded (superellipse-like) construction and very even stroke weight. Counters are compact and rectangular in spirit, with rounded interior corners that soften the otherwise blocky silhouettes. Terminals are flat and decisively cut, creating crisp joins and a consistent, engineered rhythm. The lowercase shows a tall x-height with short extenders, and the figures are simple, sturdy, and highly uniform in color and spacing.
Well-suited for UI labels, dashboards, and other interface contexts where uniformity and strong presence are helpful. It also performs well for posters, headlines, packaging, and signage that benefit from compact, high-impact letterforms and a stable, engineered texture.
The overall tone is utilitarian and industrial, with a no-nonsense, workmanlike presence. Its squared curves and dense mass feel technical and modern, evoking system interfaces, labeling, and functional typography rather than expressive display flourish. The softened corners add approachability without losing the disciplined, mechanical character.
The design appears intended to deliver a robust, highly regular sans voice built from squared, rounded-rectangle shapes, prioritizing consistency, clarity, and a modern technical feel. It aims to provide a dependable, space-efficient texture for functional typography while retaining a distinctive geometric identity.
Round letters like C, G, O, and Q read as rounded rectangles rather than circles, reinforcing the squared geometry. Several forms lean toward condensed interior apertures, which increases solidity and impact at medium to large sizes. The punctuation shown in the sample (apostrophe, ampersand, colon, exclamation) matches the same blunt, squared rhythm, supporting consistent texture in mixed text.