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Free for Commercial Use

Solid Tehe 6 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Habana Deco ML' by HiH and 'Eutopia' by Tipofil (names referenced only for comparison).

Keywords: posters, headlines, logotypes, packaging, event promos, playful, retro, geometric, chunky, quirky, maximum impact, silhouette-led, novelty display, retro styling, geometric construction, stencil-like, angular, rounded, faceted, compact.


Free for commercial use
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A heavy, geometric display face built from broad, solid shapes with collapsed counters and minimal internal detail. Letterforms mix circular segments with sharp triangular cuts, creating a faceted rhythm where curves often resolve into straight edges or notches. Strokes stay consistently thick, terminals are blunt, and many joins feel sculpted from simple primitives, giving the set a modular, cut-paper or block-carved look. Spacing appears tight in text, with large black mass and small openings that emphasize silhouette over interior structure.

This font suits large-format display settings where strong silhouettes carry the message: posters, splashy headlines, branding marks, packaging, and event or nightlife promotion. It can also work for short UI labels or section headers when used sparingly and at larger sizes, especially with added letterspacing.

The overall tone is playful and attention-grabbing, with a distinct retro-futurist flavor that reads as graphic and intentionally unconventional. Its bold silhouettes and cutout gestures feel toy-like and poster-oriented, lending a slightly mischievous, pop-art energy.

The design appears intended to maximize impact through solid black mass and simplified, counterless construction, trading conventional readability for a distinctive, geometric personality. Its mixture of rounded forms and angular cut-ins suggests a deliberate novelty approach aimed at memorable titles and brand moments rather than extended text.

Because counters are filled or reduced, legibility relies strongly on distinctive outer contours; characters like C/G/S and some lowercase forms can read more like symbols at smaller sizes. The design holds together best when set with generous size or increased tracking to keep shapes from visually clumping.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸