Sans Normal Abnoh 8 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Jiho' and 'Jiho Soft' by cretype (names referenced only for comparison).
Keywords: ui labels, branding, editorial, presentations, signage, modern, clean, technical, dynamic, neutral, versatility, clarity, contemporary feel, efficient emphasis, oblique, monoline, open apertures, rounded, humanist.
This is a monoline oblique sans with rounded joins and smooth, elliptical curves throughout. Letterforms lean consistently with a steady rhythm and open counters, keeping shapes clear even as strokes angle and terminals taper subtly. Proportions are balanced and straightforward, with gently rounded bowls (C, O, e) and simple, uncluttered construction in both uppercase and lowercase. Numerals follow the same restrained geometry, with clean curves and minimal ornamentation, giving the set a cohesive, contemporary texture in running text.
It suits interface typography, product UI, and dashboards where a clean oblique companion is useful for emphasis. It also works well in contemporary branding, presentation decks, and editorial subheads that benefit from a sleek, forward-leaning sans. At larger sizes it can serve for signage or headlines where the slant adds energy without sacrificing legibility.
The overall tone feels modern and efficient, with a calm, matter-of-fact voice. The consistent slant adds motion and forward momentum without becoming expressive or calligraphic, resulting in a professional, mildly technical feel.
The design appears intended as a versatile oblique sans for general-purpose use, emphasizing clarity, smooth geometry, and a contemporary voice. Its restrained forms and steady slant suggest a practical typeface aimed at readable text and functional display settings rather than decorative styling.
Curves stay smooth and even, and the oblique angle is strong enough to be clearly intentional while still reading comfortably in paragraphs. The design avoids sharp contrast or decorative endings, relying instead on open shapes and regular spacing for clarity.